Swing Music & Big Band Jazz
From the early 1930s until the late 1940s big band swing was the most popular style of music in the USA, and many of the most important bandleaders were huge mainstream stars. Bands usually containing between 11 and 20 musicians would play music…

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Bebop
The swing era largely focused upon music for dancing and entertainment. As a reaction against this came bebop, a style that was fiercely intellectual and very much meant for serious listening. From the mid-1940s alto saxophonist Charlie Parker, trumpeter Dizzy Gillespie and pianist…

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Gypsy jazz
Guitarist Django Reinhardt and violinist Stéphane Grapelli created the first major European jazz group when they established the Quintette du Hot Club de France in the late 1930s. With an instrumentation that only featured string instruments, without drums (Reinhardt, Grapelli, two rhythm guitarists and…

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Cool Jazz
In the late 1940s and through the 1950s a softer, more relaxed style of playing was marketed as an alternative to the ‘hotter’, more frantic bebop that was dominant at the time. Miles Davis’ Birth of the Cool, with impressionistic arrangements by Gil Evans,…

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Hard Bop & Soul Jazz
In the mid-1950s the sounds of bebop began to be blended with the influence of rhythm and blues and gospel music, to create a funkier type of music with simpler melodies and a more overt blues influence. Some view this as a conscious…

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Modal jazz
Western harmony traditionally relies upon a tonal key centre with related chords and cadences. Modal harmony, however, takes a chord and corresponding scale (or mode), where it may remain for some time or move to another, possibly unrelated mode. Jazz musicians began to…

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Bossa nova and Latin jazz
Jazz has always included what Jelly Roll Morton referred to as a ‘Spanish tinge’, dating back to the music’s origins in the melting pot of New Orleans in the early 20th Century. In the late 1940s Dizzy Gillespie pioneered Afro-Cuban jazz with his big…

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Free Jazz & Avant Garde
Free jazz developed in America during the late 1950s and early ‘60s, as musicians sought to break down and reject conventions within bebop and hard bop that they found restrictive, including harmony and chord changes, regular tempos, and compositional forms. Ornette Coleman’s ground-breaking quartet…

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Jazz Fusion
In the late 1960s jazz musicians began to use electric instruments and take on the influence of the rock music and funk that were popular at the time. Larry Coryell’s Free Spirits was an important band early in the new music’s development, as was…
Modern / Contemporary Jazz
As the name suggests, ‘modern’ jazz is heavily dependant on what era you’re living in. Back in the 1940s, for example, bebop was considered modern compared to the big band swing that came before it. But, in 21st century jazz speak, we’re usually referring to…

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From the early 1930s until the late 1940s big band swing was the most popular style of music in the USA, and many of the most important bandleaders were huge mainstream stars.

Bands usually containing between 11 and 20 musicians would play music that combined ensemble passages, often riff-based, with solo sections to entertain large audiences of dancers.

Duke Ellington, considered by many to be the greatest composer in jazz, was a key bandleader, as were virtuoso clarinettist Benny Goodman, pianist Count Basie, Jimmy and Tommy Dorsey, the ever-popular Glenn Miller, Artie Shaw, Stan Kenton and Woody Herman.

The era also saw the emergence of a number of soloists, with Coleman Hawkins notably establishing the tenor saxophone as an important jazz instrument.

Lester Young, who like Hawkins first found fame with Fletcher Henderson’s Orchestra, was also highly influential, as were alto saxophonists Benny Carter and Johnny Hodges, pianists Fats Waller and Teddy Wilson, and trumpeters Roy Eldgridge and Rex Stewart.

Ella Fitzgerald and Billie Holiday also first appeared singing with big bands during this period – as we highlighted in our guide to the best jazz singers of all time.

A number of factors contributed to the decline of the big band era, as it became harder for bandleaders to keep such large ensembles consistently employed. Although many of the groups disbanded, a few – Duke Ellington, Count Basie, Woody Herman and Stan Kenton in particular – were able to keep producing important records well beyond the 1940s.

Key big band recordings
Here are a few of our favourites, taken from our complete round up of big band music.

Album & Key Track 

The Complete Atomic Basie Splanky 
Duke Ellington – The Blanton-Webster Band Cotton Tail 

The Lester Young Story One O’Clock Jump 

Benny Goodman – the Famous 1938 Carnegie Hall Jazz Concert I Got Rhythm 

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