BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Legacy Radio 4 &quot;The Jazz Quarter&quot; - ECPv5.14.0.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Legacy Radio 4 &quot;The Jazz Quarter&quot;
X-ORIGINAL-URL:https://legacyradio4.com
X-WR-CALDESC:Events for Legacy Radio 4 &quot;The Jazz Quarter&quot;
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:UTC
BEGIN:STANDARD
TZOFFSETFROM:+0000
TZOFFSETTO:+0000
TZNAME:UTC
DTSTART:20210101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=UTC:20211010T080000
DTEND;TZID=UTC:20211111T170000
DTSTAMP:20260527T141927
CREATED:20190531T121620Z
LAST-MODIFIED:20210613T012955Z
UID:3425-1633852800-1636650000@legacyradio4.com
SUMMARY:Jazz Fusion
DESCRIPTION:In the late 1960s jazz musicians began to use electric instruments and take on the influence of the rock music and funk that were popular at the time. \nLarry Coryell’s Free Spirits was an important band early in the new music’s development\, as was Charles Lloyd’s quartet\, which played to large audiences and was associated with the psychedelic rock scene of the day. \nMiles Davis recorded Bitches Brew and In a Silent Way in 1969\, both of which were controversial with jazz purists\, with long tunes and loose\, improvised forms. \nHerbie Hancock’s funky brand of fusion in the 1970s also incorporated elements of disco and soul\, while others\, like Weather Report and some of Wayne Shorter’s solo work utilised intricate forms and chord sequences.
URL:https://legacyradio4.com/event/new-age-live-sessions/
LOCATION:Legacy Radio 4\, 721 Fifth Avenue\, New York\, NY
ATTACH;FMTTYPE=image/jpeg:https://legacyradio4.com/wp-content/uploads/2021/06/65e0d477561da2be407f98363033c961-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20211125T080000
DTEND;TZID=UTC:20211212T170000
DTSTAMP:20260527T141927
CREATED:20190531T121131Z
LAST-MODIFIED:20210613T012829Z
UID:3409-1637827200-1639328400@legacyradio4.com
SUMMARY:Free jazz & Avant garde
DESCRIPTION:Free jazz developed in America during the late 1950s and early ‘60s\, as musicians sought to break down and reject conventions within bebop and hard bop that they found restrictive\, including harmony and chord changes\, regular tempos\, and compositional forms. \nOrnette Coleman’s ground-breaking quartet played music that was swinging\, bluesy and based upon memorable melodies\, but with solo sections that dispensed with rigid form and harmony. \nAmerican free jazz in the 1960s was often proudly Afrocentric\, with links to the civil rights movement. \nThe term Avant garde jazz is often used interchangeably with free jazz\, but it may also use more written material\, often taking influence from contemporary classical music. \nEuropean ‘improvised music’ began to develop later in the 1960. It tends to be less connected to the jazz tradition than earlier American free jazz\, and often doesn’t contain any prepared material at all.
URL:https://legacyradio4.com/event/new-york-street-festival/
LOCATION:Legacy Radio 4\, 721 Fifth Avenue\, New York\, NY
ATTACH;FMTTYPE=image/jpeg:https://legacyradio4.com/wp-content/uploads/2021/06/82bd4bde7c88a9988d3c2bcc76dfe58a-2.jpg
END:VEVENT
END:VCALENDAR