BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Legacy Radio 4 "The Jazz Quarter" - ECPv5.14.0.1//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Legacy Radio 4 "The Jazz Quarter"
X-ORIGINAL-URL:https://legacyradio4.com
X-WR-CALDESC:Events for Legacy Radio 4 "The Jazz Quarter"
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:UTC
BEGIN:STANDARD
TZOFFSETFROM:+0000
TZOFFSETTO:+0000
TZNAME:UTC
DTSTART:20220101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=UTC:20220115T080000
DTEND;TZID=UTC:20220212T170000
DTSTAMP:20260527T081058
CREATED:20190531T121317Z
LAST-MODIFIED:20210613T012430Z
UID:3415-1642233600-1644685200@legacyradio4.com
SUMMARY:Modal jazz
DESCRIPTION:Western harmony traditionally relies upon a tonal key centre with related chords and cadences. \nModal harmony\, however\, takes a chord and corresponding scale (or mode)\, where it may remain for some time or move to another\, possibly unrelated mode. \nJazz musicians began to experiment with composing in this way in the late 1950s\, inspired by theoretical work of George Russell. Miles Davis’s ‘Milestones’ (from the album of the same name) and ‘So What’ (from Kind of Blue) are key early examaples\, where players improvise within a mode for extended periods; John Coltrane would intensify this approach with his classic 1960s quartet. \nDuring the mid-1960s composers like Wayne Shorter\, Herbie Hancock and Joe Henderson further utilised ‘non-functional harmony’\, writing music that moved more quickly between chords and corresponding scales in sometimes surprising ways.
URL:https://legacyradio4.com/event/billy-joels-music-evening/
LOCATION:Legacy Radio 4\, 721 Fifth Avenue\, New York\, NY
ATTACH;FMTTYPE=image/jpeg:https://legacyradio4.com/wp-content/uploads/2021/06/34a352fb5a6aeddf89d2f1ae9ad0d085-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=UTC:20220222T080000
DTEND;TZID=UTC:20220311T170000
DTSTAMP:20260527T081058
CREATED:20190531T121524Z
LAST-MODIFIED:20210613T012231Z
UID:3423-1645516800-1647018000@legacyradio4.com
SUMMARY:Hard Bop & Soul Jazz
DESCRIPTION:In the mid-1950s the sounds of bebop began to be blended with the influence of rhythm and blues and gospel music\, to create a funkier type of music with simpler melodies and a more overt blues influence. \nSome view this as a conscious move towards a more Afrocentric sound as a reaction against Cool jazz\, which placed relatively little emphasis upon the blues. \nBlue Note Records released many of the artists pioneering this new sound: Art Blakey’s Jazz Messengers (initially with Horace Silver on piano – Silver’s church-influenced ‘The Preacher’ is a good example of the style)\, Lee Morgan\, Freddie Hubbard\, Hank Mobley\, Donald Byrd and others.
URL:https://legacyradio4.com/event/lovebox-music-fest/
LOCATION:Legacy Radio 4\, 721 Fifth Avenue\, New York\, NY
ATTACH;FMTTYPE=image/jpeg:https://legacyradio4.com/wp-content/uploads/2021/06/NTLyYv-2.jpg
END:VEVENT
END:VCALENDAR